![]() Julie Andrews and Rex Harrison in My Fair Lady. (Somehow or other, the ultimate resolution - with Levin as the surprising winner of the rights - is tied up with Li'l Abner, and don't ask me to explain how without rereading the thing.) Highly interesting to those of us who have worked in theatrical producing and management - as is the disposition of the original London stage rights - but little to do with the musical itself. ![]() This last makes a fascinating tale, if you are keen on such things (as I am) if not, though, you might have trouble keeping the various parties and the numerous developments straight. He has also plumbed other collections - including those of the Theatre Guild - to piece together the pre- My Fair Lady attempts at musicalizing Shaw's "Pygmalion." And, just as importantly, the battles to secure the rights to the same. McHugh has done a protean job digging through archival material, in this case being mostly the office files of producer Herman Levin at the Wisconsin Historical Society and the extensive musical holdings at the Music Division of the Library of Congress. ![]() As a book about a scintillatingly deft piece of musical theatre, though, it is - shall we say - drily academic. While I don't have much experience with doctoral theses, I suppose this made a fine one. McHugh seems to have developed this book from his doctoral thesis at King's College, London. If you want a scholarly account of the creation of Lerner & Loewe's My Fair Lady, here it is. The word "scholarly" appears three times in the first two pages of Dominic McHugh's explanatory preface to Loverly: The Life & Times of My Fair Lady, and the first paragraph of the book proper cites Ovid, Dryden, Goethe, Rodin, Goya, William Morris (the 19th century designer/writer, not the theatrical agent), Shelley, Rameau, Cherubini, Donizetti and even Kurt Weill before it gets to George Bernard Shaw.Īnd there, in a way, is the gist of it. He continued acting in stage, film and television role into adulthood before his death at age 30 in a motor vehicle accident in Colorado on July 6, 1972.Cover art for "Loverly: The Life & Times of My Fair Lady" ![]() Born into a theatrical family in Brooklyn, he debuted on Broadway at the age of 7 and became a national phenomenon by the time he completed his 492 performances for The Member of the Wedding.īefore the age of 12, he had become the first child actor awarded the Donaldson Award, filmed his role in The Member of the Wedding, starred in his most memorable film role as Joey Starrett in the film Shane, been nominated for an Academy Award for Best Supporting Actor, starred in his own sitcom Jamie on ABC and became a household name making numerous radio and TV appearances before being featured on the cover of Life magazine on March 10, 1952, for his second Broadway outing Mrs. (United States of America, New York City, New York, New York-White Plains-Wayne, NY-NJ Metropolitan Division)Īndre Brandon De Wilde, Brandon de Wilde, Andre Brandon deWilde, Brandon de Wilde, Andre Brandon De Wilde, Andre Brandon deWilde, Brandon deWildeĪndre Brandon deWilde was an American theatre, film and television actor.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |